what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
a letter...Sitting here on the futon in the dining room communing with the spirits and practicing typing....I vow to write more and better letters...pee...and look for the S21 E04 part one on you tube...wondereing if this is avril levine reeally is an anagram of vagin...no...no...I guess it's not.
Here it is: http://www.youtube.com/watch?v=i9k8Dx6OF9M&feature=related
je t'aime...La vie c'est bon...vraiment...Je s un jour quand une amis (aident?)-moi...Je me rappelle un jour où un ami m'a aidé. J'étais triste. Je pensais avoir échoué à un examen de français...hmmm...d'accord...je t'aime...La vie c'est bonne...vraiment...Je me rappelle n jour ou un ami m'a aide...J'etais triste...Je pensais avoir echoue a un examen de francais...
Maintainent...un crimp nouveau
row...row...pan...cake...row...row...pan...cake...cellular mitosis...cellular mitosis...electromagnetic fields...onion...onion...chive...soft nose...hold your horses...big eyes...big eyes...fold...fold...lace
lundi, décembre 28, 2009
vendredi, décembre 04, 2009
Two Books From the Piles and Piles of Books that have Collected Here on and Around the Dining Room Futon
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
We all know that the best kind of book to own is a refrence book. This is a very excellent reference book: Bill Risebero's Modern Architecture and Design: An Alternative History. The edition I have is a First MIT Press Edition published in 1983. The inside flap of the dust jacket has a quote from Sir James Richards which reads, "A really brave attempt to put into historical perspective the present confused and conflicting opinions about modern architecture and design." The book is divided into eight sections (1. The modern Prometheus: The industrial revolution; 2. Contrasts: Britian and America in the late 19th Century; 3. The philosophy of right: Continental Europe in the early 19th century; 4. How we live and how we might live; Europe in the mid-19th century; 5. The will to power: Europe and America in the late 19th century; 6. The light that failed: The turn of the century; 7. The state and revolution: The First World War and after; 8. Brave new world: The Second World War and after). The best thing about this book: the numerous b&w illustrations. What may make the history seem confused and conflicted is the effort to present an alternative history that is still Eurocentric.
Howard Zinn and Anthony Arnove's voices of a peoples's history OF THE UNITED STATES is another great reference book picked up at a free event at Cooper Union a few years ago. Published in 2004 by Seven Stories Press, Voices consists of hundreds of historic essays, letters and speaches organized into 24 groupings: 1) Columbus and Las Casas 2) The First Slaves 3) Servitude and rebellion 4) Preparing the Revolution 5) Half a Revolution 6) The Early Women's Movement 7) Indian Removal 8) The War in Mexico 9) Slavery and Defiance 10) Civil War and Class Conflict 11) Strikers and Populists in the Guilded Age 12) The Expansion of the Empire 13) Socialists and Wobblies 14) Protesting the First World War 15) From the Jazz Age to the Uprisings of the 1930's 16) WWII and McCarthyism 17) The Black Upsurge Against Racial Segregation 18) Vietnam and Beyond: The Historic Resist 19) Women, Gays and Other Voices of Resistance 20) Losing Control in the 70's 21)The Carter-Reagan-Bush Consensus 22)Panama, The 1991 Gulf War and the War at Home 23) Challenging Bill Clinton 24)Bush II and the "War on Terror"
We all know that the best kind of book to own is a refrence book. This is a very excellent reference book: Bill Risebero's Modern Architecture and Design: An Alternative History. The edition I have is a First MIT Press Edition published in 1983. The inside flap of the dust jacket has a quote from Sir James Richards which reads, "A really brave attempt to put into historical perspective the present confused and conflicting opinions about modern architecture and design." The book is divided into eight sections (1. The modern Prometheus: The industrial revolution; 2. Contrasts: Britian and America in the late 19th Century; 3. The philosophy of right: Continental Europe in the early 19th century; 4. How we live and how we might live; Europe in the mid-19th century; 5. The will to power: Europe and America in the late 19th century; 6. The light that failed: The turn of the century; 7. The state and revolution: The First World War and after; 8. Brave new world: The Second World War and after). The best thing about this book: the numerous b&w illustrations. What may make the history seem confused and conflicted is the effort to present an alternative history that is still Eurocentric.
Howard Zinn and Anthony Arnove's voices of a peoples's history OF THE UNITED STATES is another great reference book picked up at a free event at Cooper Union a few years ago. Published in 2004 by Seven Stories Press, Voices consists of hundreds of historic essays, letters and speaches organized into 24 groupings: 1) Columbus and Las Casas 2) The First Slaves 3) Servitude and rebellion 4) Preparing the Revolution 5) Half a Revolution 6) The Early Women's Movement 7) Indian Removal 8) The War in Mexico 9) Slavery and Defiance 10) Civil War and Class Conflict 11) Strikers and Populists in the Guilded Age 12) The Expansion of the Empire 13) Socialists and Wobblies 14) Protesting the First World War 15) From the Jazz Age to the Uprisings of the 1930's 16) WWII and McCarthyism 17) The Black Upsurge Against Racial Segregation 18) Vietnam and Beyond: The Historic Resist 19) Women, Gays and Other Voices of Resistance 20) Losing Control in the 70's 21)The Carter-Reagan-Bush Consensus 22)Panama, The 1991 Gulf War and the War at Home 23) Challenging Bill Clinton 24)Bush II and the "War on Terror"
lundi, novembre 23, 2009
On Community and Architecture (dot com)
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
The New Urbanism: Toward an Architecture of Community by Peter Katz, I have been carrying around this book for weeks.
Many years ago (2001), while working at Half Price Books 007, I ran across a new book about a couple who lived for a year (the first year) in Celebration Florida. Their book (Celebration, FL: Living in Disney's Brave New Town)is not an entirely favorable review of the planned community. After flipping though, I was left with what could be called a seething hatred for this type of development. When I think of New Urbanism, I think of what is, literally, Disney World. Maybe not Utopia if you are the guy under the very hot Mickey Mouse Costume, but fun for the kids. After reading Franz and Collins book I got the impression that Celebration was New Urbanism and that New (sub)Urbanists are much like my loved ones. They have good intentions, if not good taste. They work. They drive. They drive the economy. They are trying to be conscience parents. They value the American Way and seem to want to create a facsimile of what might be remembered as simpler times. So...taking a look at Peter Katz's book, I was already trying to suppress my Celebration nausea and loathing for everything that is wrong with rabid consumerism, suburban sprawl and neo-colonial architecture.
Katz's book, published in 1994, is a collection of essays and case studies. The case studies are divided into A)Establishing the Urban Pattern and B)Reconstructing the Urban Fabric. The division represents a philosophical difference. One an effort to make higher density suburbs (Celebrate!) the other to create "infill" housing within city limits. To the book's credit, there is a final critique by Vincent Scully which points out some of the flaws in exclusionary and/or cost prohibitive commuter housing developments.
Establishing the Urban Pattern looks at Seaside, Laguna West, Kentlands, South Brentwood Village, Bamberton, Windsor, Communications Hill, Rosa Vista, A New Village in the suburbs, and Wellington. Reconstructing the Urban Fabric looks at Cite International, Downtown Hayward, Rivera Beach, Rio Vista West, Lake West, Downcity Providence, Orange Tree Courts, Atlantic Center, Mashpee Commons, Playa Vista, Jackson-Taylor, Highland District, Clinton, and Downtown Los Angeles.
The preface written by Katz, takes us back to 1991 when Kats saw a movement taking shape that some were calling Neo-traditional. Time Magazine wrote an extensive article on Andres Duany, Elizabeth Plater-Zyberk and Peter Calthorp. Katz reminds us of our history with out mentioning segregation. He mentions the early formation of towns along rivers, the development of industry, crowding, crime and disease, and car culture without mentioning white flight or red-lining. He mentions the cots of sub-urban sprawl and the broken bonds of community caused by the "suburban paradigm". He mentions the Geography of Nowhere by James Howard Kunstler. New Urbanism, Katz says will return us to the Higher Quality of pre-WWII building and life. High Quality Apartment Buildings, town houses, boarding houses, duplexes and quadraplexes of 1900-1920 are the cure for what ails us in 1994.
Katz speak of the new urbanists as a mass, class or school:
"Far from suggesting that we turn our backs on the benefits of modern living, the return to community that they advocate may, in fact, be empowered by new technology."
Katz mentions diminished global resources, Penturbia by economist Jack (LES-singer?) and advocates telecommuting.
I wonder how this 1990's movement relates to our "Housing Crises" housing crash in 2008?
The New Urbanism: Toward an Architecture of Community by Peter Katz, I have been carrying around this book for weeks.
Many years ago (2001), while working at Half Price Books 007, I ran across a new book about a couple who lived for a year (the first year) in Celebration Florida. Their book (Celebration, FL: Living in Disney's Brave New Town)is not an entirely favorable review of the planned community. After flipping though, I was left with what could be called a seething hatred for this type of development. When I think of New Urbanism, I think of what is, literally, Disney World. Maybe not Utopia if you are the guy under the very hot Mickey Mouse Costume, but fun for the kids. After reading Franz and Collins book I got the impression that Celebration was New Urbanism and that New (sub)Urbanists are much like my loved ones. They have good intentions, if not good taste. They work. They drive. They drive the economy. They are trying to be conscience parents. They value the American Way and seem to want to create a facsimile of what might be remembered as simpler times. So...taking a look at Peter Katz's book, I was already trying to suppress my Celebration nausea and loathing for everything that is wrong with rabid consumerism, suburban sprawl and neo-colonial architecture.
Katz's book, published in 1994, is a collection of essays and case studies. The case studies are divided into A)Establishing the Urban Pattern and B)Reconstructing the Urban Fabric. The division represents a philosophical difference. One an effort to make higher density suburbs (Celebrate!) the other to create "infill" housing within city limits. To the book's credit, there is a final critique by Vincent Scully which points out some of the flaws in exclusionary and/or cost prohibitive commuter housing developments.
Establishing the Urban Pattern looks at Seaside, Laguna West, Kentlands, South Brentwood Village, Bamberton, Windsor, Communications Hill, Rosa Vista, A New Village in the suburbs, and Wellington. Reconstructing the Urban Fabric looks at Cite International, Downtown Hayward, Rivera Beach, Rio Vista West, Lake West, Downcity Providence, Orange Tree Courts, Atlantic Center, Mashpee Commons, Playa Vista, Jackson-Taylor, Highland District, Clinton, and Downtown Los Angeles.
The preface written by Katz, takes us back to 1991 when Kats saw a movement taking shape that some were calling Neo-traditional. Time Magazine wrote an extensive article on Andres Duany, Elizabeth Plater-Zyberk and Peter Calthorp. Katz reminds us of our history with out mentioning segregation. He mentions the early formation of towns along rivers, the development of industry, crowding, crime and disease, and car culture without mentioning white flight or red-lining. He mentions the cots of sub-urban sprawl and the broken bonds of community caused by the "suburban paradigm". He mentions the Geography of Nowhere by James Howard Kunstler. New Urbanism, Katz says will return us to the Higher Quality of pre-WWII building and life. High Quality Apartment Buildings, town houses, boarding houses, duplexes and quadraplexes of 1900-1920 are the cure for what ails us in 1994.
Katz speak of the new urbanists as a mass, class or school:
"Far from suggesting that we turn our backs on the benefits of modern living, the return to community that they advocate may, in fact, be empowered by new technology."
Katz mentions diminished global resources, Penturbia by economist Jack (LES-singer?) and advocates telecommuting.
I wonder how this 1990's movement relates to our "Housing Crises" housing crash in 2008?
mardi, novembre 10, 2009
Mexico, Follies, and Multi-family Housing
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
Okay I am here in the library of the Spitzer School of Architecture picking out books that look interesting. I found one on Architctural Follies in America, one related to Olafur Eliasson and Kjetil Thorsen Serpentine Gallery Pavilion 2007, One on the Patios and Gardens of Mexico, and Three on Multi Family Housing.
30 Books in 30 Days Parts 7, 8, 9 & 10
Architectural Follies in America (or Hammer, Saw-tooth & Nail) by Clay Lancaster was published in 1960 by Charles E. Tuttle Company of Rutland Vermont. Broken into 13 illustrated chapters, AF in A reminds me of the set of children's encyclopedias my brother had as a child in the 70's. The table of contents speaks volumes and reads as follows:
I. The Folly Tradition (Tower of Babel, The Villa Palagonia, Desert de Retz, The Palace at Brighton, The "European Palaces" of Yuan Ming Yuan, Castles of Ludwig II, Follies in America)
II. Follies of Old Massachusetts (Brown's Folly, Dexter's FOlly, Harris' Folly)
III. Follies of the Early Republic in Pennsylvania (The Marble Palace, Picnic House)
IV. Archaisms (Pitts' Folly, Wedding Cake House)
V. Oriental Exoticisms (Trollope's Bazaar, Iranistan, Longwood)
VI. Built upon the Rivers (Floating Palaces ant the Inland Watercourse, Steamboat Gothic)
VII. Geo-Forms (Barrel Houses, Corners Plentiful, Fowler's Folly and the Home for All, The Octagon Mode, Hexagon House)
VIII. The Bubbles (Chadwick's Folly, Wright's Folly)
IX. Monument to the West's Wild Past (Schieffelin's Tombstone)
X. Ivory Towers of Babel (Palmer's Castle, Linden Towers, The Winchester Mystery House)
XI. Cereal and Pachyderm Architecture (Corn Palaces, Elephant Hotels)
XII. Importations, Integrations and Imitations (Imported Houses in America, Citadel of All Religions, The Leaning Tower of Niles)
XIII. Shoddy Follies: Originals of the 20th Century (Bottle Houses, Carvilles, Japanese Aeorplane Bungalow)
I first heard of Olifur Eliasson a couple of years ago when PS1 had an interesting show almost simultaneously there were waterfalls placed around Manhattan (or at least one in the East River). Here is a book about a spiral pavillion in a park in London sponsored by Bloomberg. The same company (I believe) founded by Michael Bloomberg who recently won re-election in NYC mayoral race. Apparently the Serpentine Gallery has commissioned pavillions every year since 2000. There is a nice interview here along with construction photos, photos of previous pavillions, and references to other spiral shaped architecture. (Wright's Guggenheim, Koolhass library, Tatlin's Model of the Monument to the Third International, Bruegel's painting The Tower of Babel)and photos of the completed project which apparently has a circular opening in the roof.
Multi-family Housing: Treating The Existing Housing Stock by Robert Kolodny was printed in 1981 by the National Association of Housing and Redevelopement Officials 2600 Virginia Ave. N.W. Washington D.C. 20037.It's thirteen chapters include: The Importance of Multi-family Rental Housing as a Residence Type and Housing Resource, A Thumbnail Sketch of the Nation's Multi-family Rental Housing Inventory, Lessons from the Treatment of Troubled Publicly-assisted Housing (Advisory Services for Better Housing NYC) and Tenant Ownership (Co-operative Conversion of NYC Tenements). This book is meant for people who design and run housing revitalization and neighborhood revitalization programs. Kolodny points out that there are Social advantages to density housing and much to be said for mixed economy and mixed pattern of tenure in housing.
Apartment Houses by Joseph H. Abel and Fred N. Severud was published by progressive Architecture Library in 1947 and addresses Architectural Design; Structural Design; and Heating, Elevators, Landscaping. Full of diagrams, photos of Corbu style towers and Miami Hotel style buildings Apartment Housesgives a good idea of what Architects were thinking/doing in the 1940's. (We can see now which ones have stood the test of time.)
Apartments, Townhouses and Condominiums edited by Elisabeth Kendall Thompson of Architectural Record was published by McGraw-Hill Book Company 1958 (under the title Apartments and dormitories) and then again in 1975. It covers high and low rise building as well and designing for high and low incomes. This book is verily bursting with b7w photos and diagrams of all kins of MFD's.
Patios and Gardens of Mexico by Patricia O'Gorman (1979, Architectural Book Company)is also full of great B7W photos of fantastic gardens and courtyards that make Mixican Architecture so great.
Okay I am here in the library of the Spitzer School of Architecture picking out books that look interesting. I found one on Architctural Follies in America, one related to Olafur Eliasson and Kjetil Thorsen Serpentine Gallery Pavilion 2007, One on the Patios and Gardens of Mexico, and Three on Multi Family Housing.
30 Books in 30 Days Parts 7, 8, 9 & 10
Architectural Follies in America (or Hammer, Saw-tooth & Nail) by Clay Lancaster was published in 1960 by Charles E. Tuttle Company of Rutland Vermont. Broken into 13 illustrated chapters, AF in A reminds me of the set of children's encyclopedias my brother had as a child in the 70's. The table of contents speaks volumes and reads as follows:
I. The Folly Tradition (Tower of Babel, The Villa Palagonia, Desert de Retz, The Palace at Brighton, The "European Palaces" of Yuan Ming Yuan, Castles of Ludwig II, Follies in America)
II. Follies of Old Massachusetts (Brown's Folly, Dexter's FOlly, Harris' Folly)
III. Follies of the Early Republic in Pennsylvania (The Marble Palace, Picnic House)
IV. Archaisms (Pitts' Folly, Wedding Cake House)
V. Oriental Exoticisms (Trollope's Bazaar, Iranistan, Longwood)
VI. Built upon the Rivers (Floating Palaces ant the Inland Watercourse, Steamboat Gothic)
VII. Geo-Forms (Barrel Houses, Corners Plentiful, Fowler's Folly and the Home for All, The Octagon Mode, Hexagon House)
VIII. The Bubbles (Chadwick's Folly, Wright's Folly)
IX. Monument to the West's Wild Past (Schieffelin's Tombstone)
X. Ivory Towers of Babel (Palmer's Castle, Linden Towers, The Winchester Mystery House)
XI. Cereal and Pachyderm Architecture (Corn Palaces, Elephant Hotels)
XII. Importations, Integrations and Imitations (Imported Houses in America, Citadel of All Religions, The Leaning Tower of Niles)
XIII. Shoddy Follies: Originals of the 20th Century (Bottle Houses, Carvilles, Japanese Aeorplane Bungalow)
I first heard of Olifur Eliasson a couple of years ago when PS1 had an interesting show almost simultaneously there were waterfalls placed around Manhattan (or at least one in the East River). Here is a book about a spiral pavillion in a park in London sponsored by Bloomberg. The same company (I believe) founded by Michael Bloomberg who recently won re-election in NYC mayoral race. Apparently the Serpentine Gallery has commissioned pavillions every year since 2000. There is a nice interview here along with construction photos, photos of previous pavillions, and references to other spiral shaped architecture. (Wright's Guggenheim, Koolhass library, Tatlin's Model of the Monument to the Third International, Bruegel's painting The Tower of Babel)and photos of the completed project which apparently has a circular opening in the roof.
Multi-family Housing: Treating The Existing Housing Stock by Robert Kolodny was printed in 1981 by the National Association of Housing and Redevelopement Officials 2600 Virginia Ave. N.W. Washington D.C. 20037.It's thirteen chapters include: The Importance of Multi-family Rental Housing as a Residence Type and Housing Resource, A Thumbnail Sketch of the Nation's Multi-family Rental Housing Inventory, Lessons from the Treatment of Troubled Publicly-assisted Housing (Advisory Services for Better Housing NYC) and Tenant Ownership (Co-operative Conversion of NYC Tenements). This book is meant for people who design and run housing revitalization and neighborhood revitalization programs. Kolodny points out that there are Social advantages to density housing and much to be said for mixed economy and mixed pattern of tenure in housing.
Apartment Houses by Joseph H. Abel and Fred N. Severud was published by progressive Architecture Library in 1947 and addresses Architectural Design; Structural Design; and Heating, Elevators, Landscaping. Full of diagrams, photos of Corbu style towers and Miami Hotel style buildings Apartment Housesgives a good idea of what Architects were thinking/doing in the 1940's. (We can see now which ones have stood the test of time.)
Apartments, Townhouses and Condominiums edited by Elisabeth Kendall Thompson of Architectural Record was published by McGraw-Hill Book Company 1958 (under the title Apartments and dormitories) and then again in 1975. It covers high and low rise building as well and designing for high and low incomes. This book is verily bursting with b7w photos and diagrams of all kins of MFD's.
Patios and Gardens of Mexico by Patricia O'Gorman (1979, Architectural Book Company)is also full of great B7W photos of fantastic gardens and courtyards that make Mixican Architecture so great.
samedi, novembre 07, 2009
Taste of Cherry
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
Months ago, University of Nebraska sent me a list of books to review.
They had a number of non-fiction books related to Native Americans of which I chose one, even though the focus of my study lately has been the history of what is now known as New York City. Instead, I chose titles of fiction and poetry that for one reason or another stood out--a charcoal colored eyelid on the cover, an intriguing premise. The first book to arrive was Taste of Cherry. The picture on the back reminded me of a quiet, impeccably (impeccably, impeccably, impeccably) well-groomed girl I remember from elementary school. (I think her name was Larissa.)
Jealousy disclosure: Before attempting to criticize this collection of neatly packaged words, I feel I must disclose my subjectivity. By no means under-privileged (privileged, privileged, privileged), daughter of conservative land-grant-college graduates, I have happened to have arrived at the age of forty living in sub-standard housing with some regrets, no career, few friends who will take my calls and little in the way of funds and marketable skills.
Skepticism disclosure: I have developed a deep skepticism of given identities of artists and writers I have not personally known for many years. After reading a Michael Foucault passage on the subject, I have begun to refer to all unknown authors as Author Function (AF=Kara Candito), thereby circumventing the doubt that this is a single artist's work or the only identity of a given person.
That said, I am making some effort to suppress (suppress, suppress, suppress) my sense of jealousy/hatred for (to empathize with) a narrator who reminisces (reminisces, reminisces, reminisces) about New York hotels and taxis, trips to Sicily, Miami night clubs, stray cats on the ruins of Pompey, then sips hibiscus iced-tea in Egypt while a friend text-messages Brooklyn.
Like the poems of Charles Bukowski, Candito does not avoid disturbing images or themes. Unlike the poems of Charles Bukowski, the author does not have a consistant voice. The idenity of the narrator shifts more than a Liz Phair album. Perhaps this is because Candito is a professor and takes on identies of her students.
The collection is divided into three sections. The first simply titled, One, includes: Self Portrait with Ice Pick; La Bufera: Our Last Trip to Sicily; Floristic Elegy for the Year I Lived with You in Coconut Grove; Notes for a novice Flaneur; Postcard: I've Been Meaning to Write...; Egypt Journal:; The Poet's Condition; and Egypt Journal: Christmas at the Great Pyramid (Pyramid, Pyramid, Pyramid).
The second, subtitled Portraits, includes: Carnivale, 1934; Epic Poem Concerning the Poet's Coming of Age at Attis; Gilead Red; and Girl in the Grass
The third, Three, includes: Taste of Cherry; Barely Legal: Upon Finding My Father's Porn; A Necessary Fiction; He Was Only Half as Beautiful; California; Sleeping with Rene Magritte; Polarity; Strange Zippers: A Poem in Which the Heroine________; The Fitting; On the Occasion of our Argument During a VH1 Best Power Ballads Countdown; Last Happiness
I love the titles and have come to really like the book. In the later poems, the narrator seems (more mature?) less romantic than the earlier poems and the themes seem more substantial.
Months ago, University of Nebraska sent me a list of books to review.
They had a number of non-fiction books related to Native Americans of which I chose one, even though the focus of my study lately has been the history of what is now known as New York City. Instead, I chose titles of fiction and poetry that for one reason or another stood out--a charcoal colored eyelid on the cover, an intriguing premise. The first book to arrive was Taste of Cherry. The picture on the back reminded me of a quiet, impeccably (impeccably, impeccably, impeccably) well-groomed girl I remember from elementary school. (I think her name was Larissa.)
Jealousy disclosure: Before attempting to criticize this collection of neatly packaged words, I feel I must disclose my subjectivity. By no means under-privileged (privileged, privileged, privileged), daughter of conservative land-grant-college graduates, I have happened to have arrived at the age of forty living in sub-standard housing with some regrets, no career, few friends who will take my calls and little in the way of funds and marketable skills.
Skepticism disclosure: I have developed a deep skepticism of given identities of artists and writers I have not personally known for many years. After reading a Michael Foucault passage on the subject, I have begun to refer to all unknown authors as Author Function (AF=Kara Candito), thereby circumventing the doubt that this is a single artist's work or the only identity of a given person.
That said, I am making some effort to suppress (suppress, suppress, suppress) my sense of jealousy/hatred for (to empathize with) a narrator who reminisces (reminisces, reminisces, reminisces) about New York hotels and taxis, trips to Sicily, Miami night clubs, stray cats on the ruins of Pompey, then sips hibiscus iced-tea in Egypt while a friend text-messages Brooklyn.
Like the poems of Charles Bukowski, Candito does not avoid disturbing images or themes. Unlike the poems of Charles Bukowski, the author does not have a consistant voice. The idenity of the narrator shifts more than a Liz Phair album. Perhaps this is because Candito is a professor and takes on identies of her students.
The collection is divided into three sections. The first simply titled, One, includes: Self Portrait with Ice Pick; La Bufera: Our Last Trip to Sicily; Floristic Elegy for the Year I Lived with You in Coconut Grove; Notes for a novice Flaneur; Postcard: I've Been Meaning to Write...; Egypt Journal:; The Poet's Condition; and Egypt Journal: Christmas at the Great Pyramid (Pyramid, Pyramid, Pyramid).
The second, subtitled Portraits, includes: Carnivale, 1934; Epic Poem Concerning the Poet's Coming of Age at Attis; Gilead Red; and Girl in the Grass
The third, Three, includes: Taste of Cherry; Barely Legal: Upon Finding My Father's Porn; A Necessary Fiction; He Was Only Half as Beautiful; California; Sleeping with Rene Magritte; Polarity; Strange Zippers: A Poem in Which the Heroine________; The Fitting; On the Occasion of our Argument During a VH1 Best Power Ballads Countdown; Last Happiness
I love the titles and have come to really like the book. In the later poems, the narrator seems (more mature?) less romantic than the earlier poems and the themes seem more substantial.
jeudi, novembre 05, 2009
Slow Urbanism
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
I forgot to post a review yesterday so I'll try to do two now before six when Thom Mayne is scheduled to speak here at CCNY's school of Architecture.
30 Books in 30 days Parts 4 and 5: Slow Food and Christopher Alexander
Slow Food CCNY is one of the most popular CCNY related Clubs on FaceBook. This morning over breakfast I started reading a dollar book that has been sitting with the cookbooks in the hallway for a while. I think I thought it was a vegan cookbook at first. The title is SlowFoodAward Bologna 2000 for Defense of the Biodiversity by Cinzia Scaffidi and Corby Kummer. There is no table of contents, after a few pages about delicious food in Bologna, we jump right into a story about Nancy Jones, born in England in 1947 who was kicked out of the country for political reasons married a student from Africa and started a small dairy in Mauritania where milk was thought to neutralize the magical powers of the drinker.
There is something about the stories in this book that give one pause. Camel meat? Really? One might ask? I don't know if this story is true or if there really is an
delicious endangered population of cannibalistic fish called Pez Blanca that only lives in Lake Patzcuaro, thirty kilometers outside of the town of Morelia in the Mexican state of Michoacan and brings a high price at market. But I do believe that the French know how to make good cheese.
Slow Food seems to be a group or movement promoting the idea of scientists interacting through research studies and business ventures with indigenous peoples in the name of preserving ancient ways of life and of doing things in time honored ways. They seem not to be anti-capitalistic nor promoting socialism; rather, a kind kind of conservatism. The people recognized in this book (from Maori potato farmers farmers to Beekeepers and Haviar Harvesters in Turkey) seem to me, well intentioned, college educated folks who are tackling some complicated issues about economics, environments and culture and having a good time doing it.
Oh...here's the table of contents at the end.
And now, for your reading pleasure an essay I wrote last week:
A Pattern Language: Towns, Buildings, Construction described a practical architectural system in a form that a theoretical mathematician or computer scientist might call a generative grammar.
The introduction to APL recommends that this is one half of a single work--Vol I-The Timeless Way of Building (TTWB) explaining the discipline and APL being a source book for putting the discipline into practice. Oddly, Vol. I is published two years after VOL II. These books are small, well-bound, poetically written and elegantly type set. It is no wonder that they have become cult classics amongst urban planners and archtiects.
"To you, mind of no mind in whom the timeless way was born."
Thus reads the inscription to TTWOB. Alexander and company recommend these as tools for creating a common language for communities. TTWOB reads like a Taoist mandate (low pressure, yet assertive) and is described within as a way of creating order out of nothing but ourselves. TTWOB has three main parts: The Quality, The Gate, and The Way. The Quality is described as a nameless quality, both objective and precise. This section deals with such topics as being alive, events, space and of course quality. The Gate is described as a gate made of language through which we may pass to practice the timeless way. The Gate deals with such matters as flowers and seeds, the power of language, sharing, evolution of a common language, and gradual improvement. The Way addresses shaping, process, repair, slow emergence and agelessness.
APL's three main sections (Towns, Buildings and Construction) are comprised of 253 numbered assertions, any of which seem debateable, arranged in decreacing order of size and related to one another at the beginings and ends of each assertion. Some of these are delightfully evocative and imply a way of life that is rich, wholesome, humane, and less capitalistic than socially responsable.
dancing in the street...necklace of community projects...housing in between...green streets... gateways...high places...pools and streams...birth places...holy ground...common land...sleeping in public...animals...south facing outdoors...wings of light...cascading roofs...roof gardens...stair seats...communal eating...small work groups...rooms to rent...fruit trees...vegetable garden...sitting circle...sunny counter...secret place...windows overlooking life...good materials...orniment...different chairs...pools of light
Alexander (according to Wikipedia) is a note worthy chap born in Vienna in 1936 studied physics, mathematics at Cambridge University and received the first PhD in Architecture from Harvard. His doctoral work involved designing a computer program to analyze and create new environments. Alexander has influenced architecture through his writings and teachings more than his completed buildings. He now lives and works on Berkely, CA Titles attributed to Alexander include:
Notes on the Synthesis of Form (1964), Community and Privacy (1965), A city is not a tree (1965), The Atoms of Environmental Structure (1967), A Pattern Language which Generates Multi-service Centers (1968), Houses Generated by Patterns (1969), The Oregon Experiment (1975), A Pattern Language, with Ishikawa and Silverstein (1977), The Timeless Way of Building (1979), The Linz Cafe (1981), The Production of Houses (1985), A New Theory of Urban Design (1987), Foreshadowing of 21st Century Art: The Geometry of Very Early Turkish Carpets (1993), The Mary Rose Museum (1995), The Nature of Order Book 1: The Phenomenon of Life (2004), The Nature of Order Book 2: The Process of Creating Life (2004), The Nature of Order Book 3: A Vision of a Living World (2004), The Nature of Order Book 4: The Luminous Ground (2003)
I forgot to post a review yesterday so I'll try to do two now before six when Thom Mayne is scheduled to speak here at CCNY's school of Architecture.
30 Books in 30 days Parts 4 and 5: Slow Food and Christopher Alexander
Slow Food CCNY is one of the most popular CCNY related Clubs on FaceBook. This morning over breakfast I started reading a dollar book that has been sitting with the cookbooks in the hallway for a while. I think I thought it was a vegan cookbook at first. The title is SlowFoodAward Bologna 2000 for Defense of the Biodiversity by Cinzia Scaffidi and Corby Kummer. There is no table of contents, after a few pages about delicious food in Bologna, we jump right into a story about Nancy Jones, born in England in 1947 who was kicked out of the country for political reasons married a student from Africa and started a small dairy in Mauritania where milk was thought to neutralize the magical powers of the drinker.
There is something about the stories in this book that give one pause. Camel meat? Really? One might ask? I don't know if this story is true or if there really is an
delicious endangered population of cannibalistic fish called Pez Blanca that only lives in Lake Patzcuaro, thirty kilometers outside of the town of Morelia in the Mexican state of Michoacan and brings a high price at market. But I do believe that the French know how to make good cheese.
Slow Food seems to be a group or movement promoting the idea of scientists interacting through research studies and business ventures with indigenous peoples in the name of preserving ancient ways of life and of doing things in time honored ways. They seem not to be anti-capitalistic nor promoting socialism; rather, a kind kind of conservatism. The people recognized in this book (from Maori potato farmers farmers to Beekeepers and Haviar Harvesters in Turkey) seem to me, well intentioned, college educated folks who are tackling some complicated issues about economics, environments and culture and having a good time doing it.
Oh...here's the table of contents at the end.
And now, for your reading pleasure an essay I wrote last week:
A Pattern Language: Towns, Buildings, Construction described a practical architectural system in a form that a theoretical mathematician or computer scientist might call a generative grammar.
The introduction to APL recommends that this is one half of a single work--Vol I-The Timeless Way of Building (TTWB) explaining the discipline and APL being a source book for putting the discipline into practice. Oddly, Vol. I is published two years after VOL II. These books are small, well-bound, poetically written and elegantly type set. It is no wonder that they have become cult classics amongst urban planners and archtiects.
"To you, mind of no mind in whom the timeless way was born."
Thus reads the inscription to TTWOB. Alexander and company recommend these as tools for creating a common language for communities. TTWOB reads like a Taoist mandate (low pressure, yet assertive) and is described within as a way of creating order out of nothing but ourselves. TTWOB has three main parts: The Quality, The Gate, and The Way. The Quality is described as a nameless quality, both objective and precise. This section deals with such topics as being alive, events, space and of course quality. The Gate is described as a gate made of language through which we may pass to practice the timeless way. The Gate deals with such matters as flowers and seeds, the power of language, sharing, evolution of a common language, and gradual improvement. The Way addresses shaping, process, repair, slow emergence and agelessness.
APL's three main sections (Towns, Buildings and Construction) are comprised of 253 numbered assertions, any of which seem debateable, arranged in decreacing order of size and related to one another at the beginings and ends of each assertion. Some of these are delightfully evocative and imply a way of life that is rich, wholesome, humane, and less capitalistic than socially responsable.
dancing in the street...necklace of community projects...housing in between...green streets... gateways...high places...pools and streams...birth places...holy ground...common land...sleeping in public...animals...south facing outdoors...wings of light...cascading roofs...roof gardens...stair seats...communal eating...small work groups...rooms to rent...fruit trees...vegetable garden...sitting circle...sunny counter...secret place...windows overlooking life...good materials...orniment...different chairs...pools of light
Alexander (according to Wikipedia) is a note worthy chap born in Vienna in 1936 studied physics, mathematics at Cambridge University and received the first PhD in Architecture from Harvard. His doctoral work involved designing a computer program to analyze and create new environments. Alexander has influenced architecture through his writings and teachings more than his completed buildings. He now lives and works on Berkely, CA Titles attributed to Alexander include:
Notes on the Synthesis of Form (1964), Community and Privacy (1965), A city is not a tree (1965), The Atoms of Environmental Structure (1967), A Pattern Language which Generates Multi-service Centers (1968), Houses Generated by Patterns (1969), The Oregon Experiment (1975), A Pattern Language, with Ishikawa and Silverstein (1977), The Timeless Way of Building (1979), The Linz Cafe (1981), The Production of Houses (1985), A New Theory of Urban Design (1987), Foreshadowing of 21st Century Art: The Geometry of Very Early Turkish Carpets (1993), The Mary Rose Museum (1995), The Nature of Order Book 1: The Phenomenon of Life (2004), The Nature of Order Book 2: The Process of Creating Life (2004), The Nature of Order Book 3: A Vision of a Living World (2004), The Nature of Order Book 4: The Luminous Ground (2003)
mardi, novembre 03, 2009
New Suburbanism, HOMES and Heidegger
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
I have spent the past few hours reading about New Urbanism and A Critique of New Urbanism and several other essays for G. Hermanuz's Housing Theories class here at CCNY. I have become a fan of the group, Homemakers Organization for a More Egalitarian Society (HOMES). New Urbanism is a big subject that I am not ready to write about yet so I am posting a review I wrote a few weeks ago.
30 Books in 30 Days Part 3: Building-Dwelling-Heidegger
Martin Heidegger's Bauen Wohnen Denken (1951) translated by Albert Hofstadter as "Building Dwelling Thinking", is included in Harper and Row's (1971) Poetry, Language, Thought and reprinted as a HarperCollins Perennial Classic in 2001. Poetry, Language, Thought is a collection of seven writings which may in one way or another relate to art, poetry, thought and language but are more so are reflections on what it means to be human. These seven writings, originally formed as lectures are: "The Thinker As Poet" (Ausder Erfahrung des Denkens, 1947); "The Origin of the Work of Art" (Der Ursprung des Kunstwerkes, 1935); "What Are Poets For?" (Wozu Dichter?, 1926); "Building Dwelling Thinking" (Bauen Wohnen Denken, 1951); "The Thing" (Das Ding, 1950); "Language (Die Sprache, 1950); "...Poetically Man Dwells..." (...dichterisch wohnet der Mensch..., 1951). Heidegger uses vivid architypical examples, repetition of assertions and etymology to explain modern concepts of Truth, Work, Being, Thing, and Beauty.
At the outset of "Building Dwelling Thinking", Heidegger asks, "What is it to dwell?" Then follows this question with a series of statements:
1. We attain dwelling by building. 2. Some buildings are not dwellings 3. All buildings are in the domain of our dwelling. 4. inhabit does not equal dwell.
In the English translation, this premise is left somewhat ambiguous. Is dwelling a noun and a verb here? Is building both noun and verb? Hofstadtler's English translation of Bauen Wohnen Denken leaves in many of the German words: Bauen, buan, bauen, Nachbar, Nachgebur, Nachgebauer, buri, beuren, beuron, bhu, beo, bin, ich bin, du bist, Gewohnte; but leaves off the articles: die, das, der; thereby reducing the distinction between noun and verb. This confusion creates some humor and perhaps is a bit poetic. M. Heidegger gives examples for buildings that are not dwellings the truck driver on the highway, the mill worker in the mill, the engineer in the power station. This meditation on the words dwell, dwelling, build, building go on for quite some time and define and re-define our understanding of house, home and what it means to live. Heidegger asks, "Is a modern house necessarily a dwelling...even if people take shelter there?"
5. Buildings that are not dwellings serve man's dwelling--are determined by man's dwelling. (Therefor...) 6. Dwelling is the end that presides over all building. 7. Building and dwelling are separate activities. (But..) 8. To build IS to dwell.
Hiedegger asks, "Who tells us this?" and answers, "Language." (language dominates man?) Who gives us the standard? He takes us to the roots of Germanic language to the Old English, High German word Baun, which, contrary to what one might think, he says means not to move about, but to stay, to remain in place. This strikes me as funny. I can almost see Heidegger pacing around as he makes this speach. He paints a picture of dwelling that lifts human existance from the mundane to the ritual, mystical and spiritual realm. Simultaneously he give an image of building that makes one think more of Jewish communes than Nazi Architecture.
9. Bauen=building German 10. buan=to dwell, to remain, to stay in place (Old English, High German) 11. bauen=to dwell 12. Nachbar=neighbor (German) 13. neahgebur=near dweller (Old English) 14. Nachgebur 15. Nachgebauer 16. buri, buren, beuren, beuron=dwelling, abode, place of dwelling (an assertion) 17. Our old word baun means on one hand to build and on the other hand to dwell. 18. We think of dwelling as an activity 19. bauen, buan, bhu, beo=bin, ich bin, du bist=to be
Heidegger asks, "What does it mean to be?"
20. Bauen also means to cherish, to protect. 21. To be human means both to be mortal and to be on earth; to till the soil and to cultivate the vine. 22. There is a difference between ship and temple building and this other type of dwelling, caring and cultivating. 23. Caring and cultivating is not creating something new but maintaining.
Heidegger speaks of the four fold--earth, sky, mortals, and the divinities. He identifies humans as mortals and defines mortality as both being capable of death and dwelling on the earth. He asks then, "In what way does building belong to dwelling?" Heidegger then goes on to meditate and very eloquently, raise-up the words and ideas of Bridge and Location arriving at Raum, Rum the German for Space which he describes as a clearing or a leaving room for something. He speaks of going to the door of the lecture hall and already being there. His words evoke images that create a mental space in the mind. But he makes a point to talk about specific places and things as well as these architypical places and things. He gives us Tikto the Greek for production, to bring forth and tec and techne, to produce or to let appear. He brings up an image of a farm house in the Black Forest and a coffin called "tree of the dead".
Finally, we are returned to the original questions of what is meant to dwell and what has building to do with dwelling. Heidegger touches on the subjects of homelessness only to say that lack of houses is not the problem. The perpetual problem is learning to dwell.
I have spent the past few hours reading about New Urbanism and A Critique of New Urbanism and several other essays for G. Hermanuz's Housing Theories class here at CCNY. I have become a fan of the group, Homemakers Organization for a More Egalitarian Society (HOMES). New Urbanism is a big subject that I am not ready to write about yet so I am posting a review I wrote a few weeks ago.
30 Books in 30 Days Part 3: Building-Dwelling-Heidegger
Martin Heidegger's Bauen Wohnen Denken (1951) translated by Albert Hofstadter as "Building Dwelling Thinking", is included in Harper and Row's (1971) Poetry, Language, Thought and reprinted as a HarperCollins Perennial Classic in 2001. Poetry, Language, Thought is a collection of seven writings which may in one way or another relate to art, poetry, thought and language but are more so are reflections on what it means to be human. These seven writings, originally formed as lectures are: "The Thinker As Poet" (Ausder Erfahrung des Denkens, 1947); "The Origin of the Work of Art" (Der Ursprung des Kunstwerkes, 1935); "What Are Poets For?" (Wozu Dichter?, 1926); "Building Dwelling Thinking" (Bauen Wohnen Denken, 1951); "The Thing" (Das Ding, 1950); "Language (Die Sprache, 1950); "...Poetically Man Dwells..." (...dichterisch wohnet der Mensch..., 1951). Heidegger uses vivid architypical examples, repetition of assertions and etymology to explain modern concepts of Truth, Work, Being, Thing, and Beauty.
At the outset of "Building Dwelling Thinking", Heidegger asks, "What is it to dwell?" Then follows this question with a series of statements:
1. We attain dwelling by building. 2. Some buildings are not dwellings 3. All buildings are in the domain of our dwelling. 4. inhabit does not equal dwell.
In the English translation, this premise is left somewhat ambiguous. Is dwelling a noun and a verb here? Is building both noun and verb? Hofstadtler's English translation of Bauen Wohnen Denken leaves in many of the German words: Bauen, buan, bauen, Nachbar, Nachgebur, Nachgebauer, buri, beuren, beuron, bhu, beo, bin, ich bin, du bist, Gewohnte; but leaves off the articles: die, das, der; thereby reducing the distinction between noun and verb. This confusion creates some humor and perhaps is a bit poetic. M. Heidegger gives examples for buildings that are not dwellings the truck driver on the highway, the mill worker in the mill, the engineer in the power station. This meditation on the words dwell, dwelling, build, building go on for quite some time and define and re-define our understanding of house, home and what it means to live. Heidegger asks, "Is a modern house necessarily a dwelling...even if people take shelter there?"
5. Buildings that are not dwellings serve man's dwelling--are determined by man's dwelling. (Therefor...) 6. Dwelling is the end that presides over all building. 7. Building and dwelling are separate activities. (But..) 8. To build IS to dwell.
Hiedegger asks, "Who tells us this?" and answers, "Language." (language dominates man?) Who gives us the standard? He takes us to the roots of Germanic language to the Old English, High German word Baun, which, contrary to what one might think, he says means not to move about, but to stay, to remain in place. This strikes me as funny. I can almost see Heidegger pacing around as he makes this speach. He paints a picture of dwelling that lifts human existance from the mundane to the ritual, mystical and spiritual realm. Simultaneously he give an image of building that makes one think more of Jewish communes than Nazi Architecture.
9. Bauen=building German 10. buan=to dwell, to remain, to stay in place (Old English, High German) 11. bauen=to dwell 12. Nachbar=neighbor (German) 13. neahgebur=near dweller (Old English) 14. Nachgebur 15. Nachgebauer 16. buri, buren, beuren, beuron=dwelling, abode, place of dwelling (an assertion) 17. Our old word baun means on one hand to build and on the other hand to dwell. 18. We think of dwelling as an activity 19. bauen, buan, bhu, beo=bin, ich bin, du bist=to be
Heidegger asks, "What does it mean to be?"
20. Bauen also means to cherish, to protect. 21. To be human means both to be mortal and to be on earth; to till the soil and to cultivate the vine. 22. There is a difference between ship and temple building and this other type of dwelling, caring and cultivating. 23. Caring and cultivating is not creating something new but maintaining.
Heidegger speaks of the four fold--earth, sky, mortals, and the divinities. He identifies humans as mortals and defines mortality as both being capable of death and dwelling on the earth. He asks then, "In what way does building belong to dwelling?" Heidegger then goes on to meditate and very eloquently, raise-up the words and ideas of Bridge and Location arriving at Raum, Rum the German for Space which he describes as a clearing or a leaving room for something. He speaks of going to the door of the lecture hall and already being there. His words evoke images that create a mental space in the mind. But he makes a point to talk about specific places and things as well as these architypical places and things. He gives us Tikto the Greek for production, to bring forth and tec and techne, to produce or to let appear. He brings up an image of a farm house in the Black Forest and a coffin called "tree of the dead".
Finally, we are returned to the original questions of what is meant to dwell and what has building to do with dwelling. Heidegger touches on the subjects of homelessness only to say that lack of houses is not the problem. The perpetual problem is learning to dwell.
lundi, novembre 02, 2009
Form, Purpose and Tita
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
Last Night, I returned home to over hear a discussion between Bernardo, my roommate and his girlfriend Kate that involved the mention of "...Thai food at home." I couldn't help but wonder where home was. Then after some commotion--the closing and opening of doors, some discussion about a cab...they chased down the cat (Tita), wrapped her in a towel and left. This cat gathering part happened while I was sitting at the kitchen table eating quiche. I haven't seen them (or the cat) since.
30 Books in 30 Days Part 2: Form and Purpose by Moshe Safdie and John Kettle (1980) Nimrod Press
Moshe Safdie is the Architect of Habitat '67, the innovative, terraced housing development build by the Canadian government for Expo '67 (Man and His World). I love the more-we-get-together, human optimism of Safdie and this book created for International Design Education Foundation, Aspen CO.
The book has six chapters (Design in Nature; The Indigenous Builders; The Sophisticated Builders; Art, Fashion and Style; City Fabric; and Contemporary Diagnosis) chalk full of B&W photographs illustrating design in nature and art. (A tree in summer and in winter; the bone structure of the wing of a vulture; cross section showing the internal spiral of a nautilus shell and revealing it regular growth; veins of a mulberry leaf; yeast bubbles in a loaf of bread; honeycomb; the iris of a human eye; a computer chip from a telephone; hillside dwellings in a village; public housing; Iranian domes, houses and pigeon towers; mosques; a man laying out the plan of his house on the ground;
There is a letter in the beginning written by Safdie to Phillip (Glass House/MoMA) Johnson expressing dismay with his AT&T building and the general direction of his work, as well as Johnson's reply. This effectively conveys the understanding of aesthetic difference between the two architects. I also found it interesting, if not suprising that Safdie references Christopher Alexander's The Oregon Experiment (1975), A Pattern Language (1977), A Timeless Way of Building (1979), and Community and Privacy (1963); as the ideas, aesthetics and concerns of Form and Purpose are not dis-similiar to those expressed in A Pattern Language. He also credits Francis Yates's The Art of Memory and Tom Wolfe's The Painted Word in the bibliography.
Last Night, I returned home to over hear a discussion between Bernardo, my roommate and his girlfriend Kate that involved the mention of "...Thai food at home." I couldn't help but wonder where home was. Then after some commotion--the closing and opening of doors, some discussion about a cab...they chased down the cat (Tita), wrapped her in a towel and left. This cat gathering part happened while I was sitting at the kitchen table eating quiche. I haven't seen them (or the cat) since.
30 Books in 30 Days Part 2: Form and Purpose by Moshe Safdie and John Kettle (1980) Nimrod Press
Moshe Safdie is the Architect of Habitat '67, the innovative, terraced housing development build by the Canadian government for Expo '67 (Man and His World). I love the more-we-get-together, human optimism of Safdie and this book created for International Design Education Foundation, Aspen CO.
The book has six chapters (Design in Nature; The Indigenous Builders; The Sophisticated Builders; Art, Fashion and Style; City Fabric; and Contemporary Diagnosis) chalk full of B&W photographs illustrating design in nature and art. (A tree in summer and in winter; the bone structure of the wing of a vulture; cross section showing the internal spiral of a nautilus shell and revealing it regular growth; veins of a mulberry leaf; yeast bubbles in a loaf of bread; honeycomb; the iris of a human eye; a computer chip from a telephone; hillside dwellings in a village; public housing; Iranian domes, houses and pigeon towers; mosques; a man laying out the plan of his house on the ground;
There is a letter in the beginning written by Safdie to Phillip (Glass House/MoMA) Johnson expressing dismay with his AT&T building and the general direction of his work, as well as Johnson's reply. This effectively conveys the understanding of aesthetic difference between the two architects. I also found it interesting, if not suprising that Safdie references Christopher Alexander's The Oregon Experiment (1975), A Pattern Language (1977), A Timeless Way of Building (1979), and Community and Privacy (1963); as the ideas, aesthetics and concerns of Form and Purpose are not dis-similiar to those expressed in A Pattern Language. He also credits Francis Yates's The Art of Memory and Tom Wolfe's The Painted Word in the bibliography.
dimanche, novembre 01, 2009
30 Books in 30 Days
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
It's November fisrt...day after All Hallows EVE...the day of the New York Marathon...the begining of Daylight savings time...two months left to redeem 2009 from the doldrums to which it may or may not hav sunk...I have decided to start getting up early and doing things...for example (I sort of borrowed and adapted this from Brian Lehrer's 30 issues in 30 days leading up to the mayoral elections.)I plan to review one book per day in November starting with this really fantastic book I have been carrying around and reading in the subways all fall...this book that I almost can't bear to return to the libray and I may have to go out and actually purchase.
"To know what you want to draw, you have to begin drawing."
Thirty Books in Thirty Days Part One: Writing About Writing About Art
This book is actually called A Short Guide to Writing About Art (Sylvan Barnet, Pearson-Longman, 8th ed. 2005) . As you may know there are several books with similiar titles. This one is the best-loaded with quotes by famous artists that (bely?) reveal the nature of Art with a capital A, useful writing advice and many well-timed and well-chosen illustrated writing samples. ASGTWAA is broken into 12 chapters with rather boring titles (Writing about Art, Analysis, Writing a Comparison, Writing An Entry in an Exhibition Catalog, Some Critical Approaches)followed by more interesting subheadings (economy, wordy beginnings, the sound of sense, the sense of sound)
Examples used tell the great story of Art. Some examples used in chapter 1, What Is Art? include Robert Smithson's Spiral Jetty, Womanhouse, Mark Wallinger's photograph of a horse named: A Real Work of Art, an essay on art criticism by Auden, and a sample essay about Whistler (both artist and critic)and his painting of his mother turned into a U.S. postage stamp.
I opened it to the page on Unity as the one train was delayed this morning to be reassured of the simplicity of the fact that five hundred words is more or less five well developed paragraphs. To summarize the writing process:
think...jot...draft... revise...revise...edit...have someone proof read/edit...revise...print...read...revise...(repeat read and revise until deadline)
It's November fisrt...day after All Hallows EVE...the day of the New York Marathon...the begining of Daylight savings time...two months left to redeem 2009 from the doldrums to which it may or may not hav sunk...I have decided to start getting up early and doing things...for example (I sort of borrowed and adapted this from Brian Lehrer's 30 issues in 30 days leading up to the mayoral elections.)I plan to review one book per day in November starting with this really fantastic book I have been carrying around and reading in the subways all fall...this book that I almost can't bear to return to the libray and I may have to go out and actually purchase.
"To know what you want to draw, you have to begin drawing."
Thirty Books in Thirty Days Part One: Writing About Writing About Art
This book is actually called A Short Guide to Writing About Art (Sylvan Barnet, Pearson-Longman, 8th ed. 2005) . As you may know there are several books with similiar titles. This one is the best-loaded with quotes by famous artists that (bely?) reveal the nature of Art with a capital A, useful writing advice and many well-timed and well-chosen illustrated writing samples. ASGTWAA is broken into 12 chapters with rather boring titles (Writing about Art, Analysis, Writing a Comparison, Writing An Entry in an Exhibition Catalog, Some Critical Approaches)followed by more interesting subheadings (economy, wordy beginnings, the sound of sense, the sense of sound)
Examples used tell the great story of Art. Some examples used in chapter 1, What Is Art? include Robert Smithson's Spiral Jetty, Womanhouse, Mark Wallinger's photograph of a horse named: A Real Work of Art, an essay on art criticism by Auden, and a sample essay about Whistler (both artist and critic)and his painting of his mother turned into a U.S. postage stamp.
I opened it to the page on Unity as the one train was delayed this morning to be reassured of the simplicity of the fact that five hundred words is more or less five well developed paragraphs. To summarize the writing process:
think...jot...draft... revise...revise...edit...have someone proof read/edit...revise...print...read...revise...(repeat read and revise until deadline)
samedi, octobre 24, 2009
Braintree (or on the other hand...Alewife)
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
I took the Lucky Star up to Boston last week and spent the day in Cambridge. I was very impressed that both Harvard and MIT have begun composting.
mardi, septembre 22, 2009
L'autumn 2009
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
Here I am in the B. & A. Spitzer School working on a Wikipedia article entitled Housing theories. This is my first attempt at writing/editing Wikipedia. So far it is simply a list of related subjects taken from the syllabus of Professor Hermanuz's Housing Theory class. The page has been targeted for deletion. If anyone knows how to make this not happen please advise.
Last night I went to a book talk at the CWE (Center for Worker Education, just west of the Bull)given by John T. Matteson, then went home, made soup and watched a very sweet and beautiful dvd entitled Jellyfish
team10online
Alison_and_Peter_Smithson
heaven on earth
Here I am in the B. & A. Spitzer School working on a Wikipedia article entitled Housing theories. This is my first attempt at writing/editing Wikipedia. So far it is simply a list of related subjects taken from the syllabus of Professor Hermanuz's Housing Theory class. The page has been targeted for deletion. If anyone knows how to make this not happen please advise.
Last night I went to a book talk at the CWE (Center for Worker Education, just west of the Bull)given by John T. Matteson, then went home, made soup and watched a very sweet and beautiful dvd entitled Jellyfish
team10online
Alison_and_Peter_Smithson
heaven on earth
mercredi, septembre 09, 2009
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
Strange Days
Greg Williams, the President of CCNY resigned today.
Sunday I was standing in a NewsStand Near Bryant Park. The manager, Michael was showing me how to do the accounting and run the lottery ticket machine as I was considering working there. There was a pause in the conversation and I found myself staring out the window as someone held a wooden stick, like a mop or axe handle in front of me for a few seconds, long enough for me to think, "Wooden stick" and start to wonder "Who is holding this stick?" and "Should we duck?"--literally, a few seconds. By the time I turned my head to look at Michael, he had already been struck in the face with this stick . I turned my head back to the stick in time to see it disappear quickly. I stuck my head out but not in time to see the perp. Michael was holding his right cheek and a bright stream of blood was running out from between his fingers. He looked very shocked. I handed him a cloth to catch the blood. He handed me the phone and told me to call 911. The mop handle or whatever it was had gone completely through this cheek. There was a hole in his cheek the size of a Kennedy silver dollar. Michael told the police that he knew the guy. They wanted him to go looking for the guy with a Kennedy silver dollar sized hole in his cheek.
Now I am about to go to talk about housing theories with fifteen or twenty Future Homemakers of America. We are meant to have read Martin Heidegger's Poetry, Language, Thought and Some Comments on a Significant Detour by Aldo Van Eyck as well as Something by Le Corbusier.
I keep wondering who would do that to Michael and why.
Strange Days
Greg Williams, the President of CCNY resigned today.
Sunday I was standing in a NewsStand Near Bryant Park. The manager, Michael was showing me how to do the accounting and run the lottery ticket machine as I was considering working there. There was a pause in the conversation and I found myself staring out the window as someone held a wooden stick, like a mop or axe handle in front of me for a few seconds, long enough for me to think, "Wooden stick" and start to wonder "Who is holding this stick?" and "Should we duck?"--literally, a few seconds. By the time I turned my head to look at Michael, he had already been struck in the face with this stick . I turned my head back to the stick in time to see it disappear quickly. I stuck my head out but not in time to see the perp. Michael was holding his right cheek and a bright stream of blood was running out from between his fingers. He looked very shocked. I handed him a cloth to catch the blood. He handed me the phone and told me to call 911. The mop handle or whatever it was had gone completely through this cheek. There was a hole in his cheek the size of a Kennedy silver dollar. Michael told the police that he knew the guy. They wanted him to go looking for the guy with a Kennedy silver dollar sized hole in his cheek.
Now I am about to go to talk about housing theories with fifteen or twenty Future Homemakers of America. We are meant to have read Martin Heidegger's Poetry, Language, Thought and Some Comments on a Significant Detour by Aldo Van Eyck as well as Something by Le Corbusier.
I keep wondering who would do that to Michael and why.
mardi, septembre 08, 2009
Housing Theories
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
I am taking a course on housing theories at CCNY this semester.Here are some of the housing developments we can chose to research:
Harlem River Houses
http://www.google.com/search?q=Harlem+River+Houses&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a
Butterfield House
Kips Bay Plaza
http://www.google.com/search?q=Kips+Bay+Plaza&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a
Riverbend
Marcus Garvey Housing
Eastwood Apartments
Washington Court
Peabody Terrace
Price Tower
Habitat
Narkomfin
Unite d'Habitation
Hansaviertel (Aalto)
Hansaviertel (Bakema)
Robin Hood
Nexus World (Koolhass)
Nexus World (Steve Holl)
Nemausus
Residential/Lugano
I am taking a course on housing theories at CCNY this semester.Here are some of the housing developments we can chose to research:
Harlem River Houses
http://www.google.com/search?q=Harlem+River+Houses&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a
Butterfield House
Kips Bay Plaza
http://www.google.com/search?q=Kips+Bay+Plaza&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a
Riverbend
Marcus Garvey Housing
Eastwood Apartments
Washington Court
Peabody Terrace
Price Tower
Habitat
Narkomfin
Unite d'Habitation
Hansaviertel (Aalto)
Hansaviertel (Bakema)
Robin Hood
Nexus World (Koolhass)
Nexus World (Steve Holl)
Nemausus
Residential/Lugano
mardi, septembre 01, 2009
Gardens of China
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this Browsing the shelves in the Architecture Library on a TUesday afternoon:
Landscape Design for the Middle East, Tropical TImbers of the World, SEELYE-DESIGN, Environmental Design: Research and Practice, Engineering Weather Data, Handbook of Noise control, Surfaces, Paints and Coatings, Encyclopedia of Wood, Architectural Metals, Wind in Architectural and Environmental Design, Design of Wood Structures, The Masonry Glossary, Concrete Construction Handbook, Streetscape Equipment Sourcebook, Water Supply and Waste Disposal, Building of Roman Aquaducts, The Subway, By the El, Under the Sidwalks of New York, Notre Metro, Six Bridges, An Illustrated dictionary of building, Les Materiaux de Construction, HIstory of Chicago Building, Building in England, Japan's Construction, Understanding Buildings, VNR Metric Handbook, Field Guide to Trees, Growth and Form, Design for Assisted Living, Soil Survey of Suffolk County NY, Encyclopedia of Organic Gardening
Landscape Design for the Middle East, Tropical TImbers of the World, SEELYE-DESIGN, Environmental Design: Research and Practice, Engineering Weather Data, Handbook of Noise control, Surfaces, Paints and Coatings, Encyclopedia of Wood, Architectural Metals, Wind in Architectural and Environmental Design, Design of Wood Structures, The Masonry Glossary, Concrete Construction Handbook, Streetscape Equipment Sourcebook, Water Supply and Waste Disposal, Building of Roman Aquaducts, The Subway, By the El, Under the Sidwalks of New York, Notre Metro, Six Bridges, An Illustrated dictionary of building, Les Materiaux de Construction, HIstory of Chicago Building, Building in England, Japan's Construction, Understanding Buildings, VNR Metric Handbook, Field Guide to Trees, Growth and Form, Design for Assisted Living, Soil Survey of Suffolk County NY, Encyclopedia of Organic Gardening
mercredi, août 26, 2009
Post Post Modern?
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
I am here inside the Very New Bernard and Anne Spitzer School of Architecture at CCNY. I feel a bit wierd about the name, but maybe I am getting used to it. Since I learned of the name a few months ago I have notice the spitting is a popular past time/event in the surrounding neighborhood. Apparently AF=Bernard Spitzer was (is?) an architect/engineer/real NY Real Estate mogul who spawned AF=Elliot Spitzer, former Governor of NY. (Can you tell I have become increasingly skeptical about given identities in the six years since I moved to Manhattan?)I would love if there could be a watermelon-seed spitting contest to christen the building.
This Fall I am taking a course in World Architecture and attempting to get a leg up on the reading this week. (I cheated my way through world history class at John Marshall H.S.. Don't tell Coach Kirby.)
As for the building, I enthusiastically give two thumbs up. Mostly my praise is for the excellent lighting, beautiful floors, and large amounts of public space including a central gallery space. (Someday someone will invent public toilets that don't spray water everywhere when flushed...but not this year...not here.)
I am here inside the Very New Bernard and Anne Spitzer School of Architecture at CCNY. I feel a bit wierd about the name, but maybe I am getting used to it. Since I learned of the name a few months ago I have notice the spitting is a popular past time/event in the surrounding neighborhood. Apparently AF=Bernard Spitzer was (is?) an architect/engineer/real NY Real Estate mogul who spawned AF=Elliot Spitzer, former Governor of NY. (Can you tell I have become increasingly skeptical about given identities in the six years since I moved to Manhattan?)I would love if there could be a watermelon-seed spitting contest to christen the building.
This Fall I am taking a course in World Architecture and attempting to get a leg up on the reading this week. (I cheated my way through world history class at John Marshall H.S.. Don't tell Coach Kirby.)
As for the building, I enthusiastically give two thumbs up. Mostly my praise is for the excellent lighting, beautiful floors, and large amounts of public space including a central gallery space. (Someday someone will invent public toilets that don't spray water everywhere when flushed...but not this year...not here.)
mardi, août 25, 2009
Thermodynamics--The Musical
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
It's hot as something unbeliveably hot...well not really. (NYC in the summer is paradise compared to the earth scorching triple 104's of central Texas.) Anyway I am taking shelter in the AC of the NAC at CCNY where I recently registered for a World Architecture class.
I spoke to one of my neighbors today about the amazingly bad condition of the building we inhabit. How nice it would be to live in a clean building with a rooftop garden and a plant filled courtyard, an elevator than runs and is not filled with the scent of urine...sigh. Where there is life there is hope--to quote a teabag.
The University of Nebraska has begun sending me books to review. The first one is a book of poems, Taste of Cherry, by Kara Candito. The picture on the back reminds me of a girl who went to my elementary school. She looks nice.
It's hot as something unbeliveably hot...well not really. (NYC in the summer is paradise compared to the earth scorching triple 104's of central Texas.) Anyway I am taking shelter in the AC of the NAC at CCNY where I recently registered for a World Architecture class.
I spoke to one of my neighbors today about the amazingly bad condition of the building we inhabit. How nice it would be to live in a clean building with a rooftop garden and a plant filled courtyard, an elevator than runs and is not filled with the scent of urine...sigh. Where there is life there is hope--to quote a teabag.
The University of Nebraska has begun sending me books to review. The first one is a book of poems, Taste of Cherry, by Kara Candito. The picture on the back reminds me of a girl who went to my elementary school. She looks nice.
mercredi, juin 24, 2009
The Experience of Modernity
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
These long days I am walking (again) from Coney Island to the Bronx Botanical Gardens taking photos and reading about Modernism according to Marshall Berman who coinsidentally was roomates with Michael Templon (not his real name?)a few weeks ago when he was in the hospital having his adominal aorta repaired (Michael T. that is. Michael said Berman was having a knee replacement.)So far this book (All that is Solid Melts into Air)has been mostly about Faust and his deals with Mephisto.
These long days I am walking (again) from Coney Island to the Bronx Botanical Gardens taking photos and reading about Modernism according to Marshall Berman who coinsidentally was roomates with Michael Templon (not his real name?)a few weeks ago when he was in the hospital having his adominal aorta repaired (Michael T. that is. Michael said Berman was having a knee replacement.)So far this book (All that is Solid Melts into Air)has been mostly about Faust and his deals with Mephisto.
vendredi, mai 15, 2009
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vendredi, février 27, 2009
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
I am here at Krishna's attempting to upload the second half of the people pictures from the 2008 Walk. Unfortunately there are some technical difficulties and I will have to try again another day.
I've been singing in the choir at 4th U Church on the west side which, if you know me you know, is kind of a feat because I am not especially gifted in this arena. This lack of training/talent is heightened by the fact that pretty much everyone else seems to be fantastically talented. Luckily, everyone there is also very nice and good at teaching and tolerating the less musical. I wish I was saying this to be modest. Krishna lent me a book called Music Theory for Idiots. This book has actually helped, causing no less than three epiphanies so far.
The church is also hosting a production of the Vagina Monologues (April 4th). This has pretty amazing as far as church experiences go. It prompted me to go to the library and check out the book.
I have started to practice typing/writing by typing one 11pt page every morning (or almost every morning). This has been good. I've also taken up belly dancing.
Last night Charlie Rose had a guy from Amazon Books on talking about Kindel (sp?) paperless reading devices. This guy looked very much like Tom Beach if Tom Beach had gone partially bald and gotten a very conservative hair style. Apparently, Amazon or his branch of the business is buying up land in Texas and building spaceships.
I am here at Krishna's attempting to upload the second half of the people pictures from the 2008 Walk. Unfortunately there are some technical difficulties and I will have to try again another day.
I've been singing in the choir at 4th U Church on the west side which, if you know me you know, is kind of a feat because I am not especially gifted in this arena. This lack of training/talent is heightened by the fact that pretty much everyone else seems to be fantastically talented. Luckily, everyone there is also very nice and good at teaching and tolerating the less musical. I wish I was saying this to be modest. Krishna lent me a book called Music Theory for Idiots. This book has actually helped, causing no less than three epiphanies so far.
The church is also hosting a production of the Vagina Monologues (April 4th). This has pretty amazing as far as church experiences go. It prompted me to go to the library and check out the book.
I have started to practice typing/writing by typing one 11pt page every morning (or almost every morning). This has been good. I've also taken up belly dancing.
Last night Charlie Rose had a guy from Amazon Books on talking about Kindel (sp?) paperless reading devices. This guy looked very much like Tom Beach if Tom Beach had gone partially bald and gotten a very conservative hair style. Apparently, Amazon or his branch of the business is buying up land in Texas and building spaceships.
vendredi, janvier 02, 2009
Walking through Downtown Brooklyn, Chinatown, NYU to Bryant park
Vatya & Eli Levi
Jilberto
Turan
Anah, Alexa & Stephanie
Carolin Chin
Amy at the Center for Architecture
Ryan at Housing Works
Reef
New Museum
Russel Reaves & Rashawn
Dennis Christie
Shateisha
Mr. S Wayne & (Johnny B.?)
Louis
Randy Chin
Louis
what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this what is this
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